EF Works by Andrew Rihn



    You Like This
    by Andrew Rihn
    (Appeared in the January 2010 Issue)

    On social networking sites,
    when I have to list all the special
    things that make me, me, I list
    my favorite movie as the Zapruder film.
    People message me about it
    because this makes me stand out.
    Look, I tell them, it isn’t as though
    I hate the Kennedys or am into snuff films.
    I knock back conspiracy theories
    like cheap beer and the Zapruder film
    simply has it all: travel and romance,
    intrigue and murder. Read the novelization,
    I go on, if you want some humor.
    The Warren Report: what can you say?
    That it would have made André Breton
    proud? Zapruder has it all, I repeat.
    Everything is on that film. Except
    intent. Except motive. But like all good art,
    it leaves the audience wanting more,
    leaves us electing our little brothers. Politics
    is already like a bad Facebook quiz.
    In the future, we won’t even have elections,
    only little boxes to check on our profile.
    Politics won’t be anything but an identifier,
    which is less than an identity.
    Lee Harvey Oswald doesn’t clean
    his rifle barrel, he updates his personal
    profile. He doesn’t go to confession,
    he adds another celebrity quote
    and wrestles with a friend request.


    Unemployment
    by Andrew Rihn
    (Appeared in the January 2010 Issue)

    These days are like lawn mower laps
    around the yard. The wife reassures
    me I am working. Around the house.
    Like I just took some time off to spend

    fixing up the things that need to be fixed.
    Each morning cracks open like a new beer,
    and when it’s drained down to the bottom,
    there’ll still be another in the case, just as cold.

    Sometimes I feel weak, kind of drained myself.
    Without timecards, I don’t have those
    knock-out punches in me anymore.
    No more punch-in, punch out for lunches.

    I’m stuck on the speed bag, swinging a tiny,
    endless rhythm. I’m pushing this lawn mower
    around my yard like Sisyphus, the kids
    pushing my buttons, and I’m pushing forty.

    Don’t I deserve the pull of unfinished work?
    I thought when the pushing was finished
    I’d be left with something like meaning.
    Even when I’m dead I’ll be pushing up daisies.


    Landscape with Multiple Choices
    by Andrew Rihn
    (Appeared in the January 2010 Issue)

    In school I thought Scantron sheets
    looked so orderly, all their bubbles lined up
    and sorted like the overpriced medication
    that filled my grandmother’s stomach,
    little white tablets separated  
    by day and meal time, true and false.

    When I look up at the clouds, I don’t see
    exotic animals or sports cars. I see
    the problems I couldn’t solve,
    their fill-in bubbles left white
    because I didn’t know the answers.

    Now I know that pop singers who talk
    about things like pockets full of sunshine
    are full of crap when we’re sitting hats-off
    in the shade of the work truck,
    knocking down sandwiches with
    discrete beers for lunch, sunburn
    like a steaming noose around our necks.

    We dug into those placement tests
    with sharp number two pencils, but
    the prescriptions they wrote for us
    were better left unfilled.



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